April 29, 2006
I was on the road all day yesterday. Made two trips to Prescott, once for the docent run-thru at the Phippen Museum's new artshow "Home Range Humor" and the second because I left my daytimer at the museum and it had all my notes for today's history session in Tucson.
Kathy joined me for the second trip up the hill and it made the repeat pass tolerable. We made the round trip in record time and made it home at ten last night. When I got up to the Phippen the first time everyone was talking about the death of the last living original member of the Cowboy Artists— Joe Beeler—who evidently passed away at a roping in Cottonwood on Wednesday. Another rider noticed he was slumping in the saddle. They tried to revive him but it was too late.
My talk with the docents went well. Sculptor Cynthia Ridgen dropped by and I had a nice talk with her. Most people don't know that Virgil Earp had a homestead on her ranch near Kirkland, and in 1985, when I came to Prescott on assignment for Arizona Highways, she and her dad took me to the site. She has tried several times to join the Cowboy Artists and has been turned down each time. I asked her if she thought they would ever wise up (her answer is below).
The show is quite good and I'm proud to say Honkytonk Sue and the Doper Roper look right at home next to cowboy cartoon greats Jimmy Swinnerton, Fred Harmon (Red Ryder), Herb Mignery, J.R. Williams and Jim Willoughby. The show will be up until September, so if you're in the Prescott area check it out.
Got up at five this morning and took off for Tucson. Got to the Hotel Arizona at the Tucson Convention Center at eight, and easily got to my session in the Grand Ballroom on "Peculiar Mysteries In Arizona's History." I was the chair (my first time at the helm) and when I was in doubt I just thought WWHD (what would Hutton do?) and it went fine. I was effusive with the praise on my panel members and then I shut up. Thanks Paul!
First up was Todd Bostwick, who presented a paper on the bizarre case of a whole bunch of lead swords and artifacts that showed up in a vacant piece of land outside Tucson in the 1920s, the seond up was Vince Murray who told the joke, "So a French guy walks into a bar. . ." and then segued into "The Legends, Myths, and History of Harqua Hala." And the biggest liar, I mean presenter, on the panel, was my Northern Arizona compadre Marshall Trimble who talked about "Father Keno and the Blue Maiden," a legend of the first flying nun, who allegedly flitted over from Spain, preached Jesus to the Pima 75 years before Father Kino set foot in Apacheria. It was fun. Standing room only. Gave out a bunch of True West mags.
From the session, I sped over to the Arizona Historical Society to bone up on the Wham Payroll Robbery. They have the court transcripts, which were thought to be lost but were found several years ago by author Larry Ball, who wrote the definitive book on the robbery. I have been unsuccessfully trying to get in touch with Mr. Ball for weeks. He lives in Arkansas, and every lead I got on how to get in touch with him went nowhere. When I walked up to the front door, Mr. Ball, of course was standing outside the Historical Society building waiting to get inside to do research on Tom Horn. Ha.
So we both went in the library and there, on reserve for me, was the official map of the robbery site and the five boxes of transcripts of the 1899 trial. When I would find something interesting, like say the map of robber forts on the west side of the road, I would say, "Hey Larry, is this where the boulder was?" And he'd come over and show me, adding, "What most people don't know about this location is that back here. . ." I swear, if I saw it in a movie I wouldn't believe it.
The museum closed at one and so from there I met writer Leo Banks at El Charro Mexican Restaurant in old downtown Tucson. What a great place! Old world charm and great margaritas! After the 48 hours I just had I was ready to have some fun. We did. Solving life and Old West magazine mysteries over the house specialty, carne seca, and we sat out on the porch on a beautiful Old Pueblo day.
I've got to get ready for the Forty Seventh Annual Arizona History Convention Banquet, which starts at 6:30. Then it's up early to make the trek out to the Wham Robbery Site north of Bonita and south of Fort Thomas (Safford area).
"I think they're afraid that if they let me in the CA, the only cowboy and the only woman would be the same person."
Bob Boze 5:03 PM
April 28, 2006
Sprinkling and cloudy when I got up this morning. Drove up to Prescott and got to the Phippen Museum at 12:30 and heard the news. The last remaining living Cowboy Artist, Joe Beeler has died, someone said two days ago. He was evidently at a roping in Cottonwood and someone noticed him slumping in the saddle. They tried to revive him but he was gone.
A reporter for the Prescott Courier showed up and interviewed everyone. Cynthia Rigden came in to drop off a piece of art and said hi to me and we talked. She's a sculptor and from an old Arizona ranching family in Kirkland (Virgil Earp's farm was located on their land and she and her dad took me out to it in 1985), and she has been denied membership in the CA for years. It's embarrassing and a bad joke. I asked her if they were ever going to get smart and let her in and she said, "I think they're afraid of having the only woman and the only cowboy being the same person." Ha.
Walked the docents through the exhibit to tell them where all my stuff came from. Much of the history of my cartoons centers around Prescott. It was in 1978 that I drove up to Prescott and Charlie Waters, who was the publisher of the Prescott Courier then, printed the guts of my very first Honkytonk Sue comic. I think he charged me his price for the paper and printing ($875 for 5,000 issues, just the guts, the cover was printed in the Valley). My first big Arizona Highways assignment was to illustrate 22 washes for an issue on Prescott. That was in 1985, and that's when I went out to the Rigden's ranch. Several docents took notes. I told them if anyone tries to stump you, send them to twmag.com and it's all there, or in this case, here. One woman asked me about True West. She said she has been dong this all her life and has never heard of the magazine. "That's why I'm here today," I told her. Speaking of which, Jennifer in the museum store ordered a whole bunch of True Wests, my books and even some of the old comic books. The opening is tonight at seven.
Left Prescott at two, stopped in Mayer for lunch. Fought traffic all the way in (95 miles). Got to the office at four, only to find out I left my daytimer at the Phippen. So, I'm debating whether to go back up the hill for the opening. Ha.
I leave for Tucson at five in the morning. Going to be a marathon weekend.
"A critic is a legless man who teaches running."
—Old Vaquero Saying
Bob Boze 4:21 PM
April 27, 2006
Beautiful weather, got the doors open, don’t even need the evap cooler, just sweet breezes and mild heat (mid-eighties).
At ten this morning, I went home to get some bola ties for Joel Klasky (he’s going to The WETA show, Western And English Trade Association, this weekend in Austin, Texas), and I found Peaches sitting by the front door, snacking on a carton of Fig Newtons. Yes, an entire pack! She’s got the long, thin pack, chewed open, and with her paws around the box, one by one, she’s popping them into her Australian Border Collie little mouth. She’s such a little thief, and I guessed she probably was prowling around over at the housing site next door and swiped the Newtons out of some poor construction workers sack. So I grabbed them out of her paws and walked it back over the construction site next door, but the workers didn’t want them back. So I stole the figs and gave Peaches two nuts instead. She looked P.O.’d about it, but hey, I’m trying to act like the lead dog around here.
Speaking of lead dogs, talked on the phone with Bruce Dingas at the Arizona Historical Society in Tucson yesterday. They’ve got the original topo map of the Wham (rhymes with bomb, according to Bruce) Payroll Robbery site done by Lt. George Cartwright. I’m going to be in Tucson on Saturday and want to see it, before I make my trip out to the site on Sunday. They also have the complete court transcripts, several thousand pages, which I also want to take a look at. Going to be tight. I am chairing a session in the morning at the Arizona History Convention and the Historical Society closes at one, so it’s going to be Evelyn Wood time.
Do You Like True West Moments On The Westerns Channel?
If you do and want to see more of those bad boys, tell these two guys:
Robert.Clasen@starz.com (The Boss)
Tom.Southwick@starz.com (Head of PR)
True West Is Looking for Even More Talent
We are looking for another salesperson. Someone who can be creative, loves the Old West and can help us build the fastest growing magazine in the West. You will be working with Sue Lambert, Joel Klasky and Rob Bandhauer, three pros and great people. Contact Trish Brink (email@example.com)if you’re interested.
I phoned my old bootmaker compadre Johnny Weinkauf in Kerreville, Texas yesterday. When he answered the phone I said, “Do you remember where you were on April 30, 1983?” John, replied, “Nope, but I bet you do.” Ha.
As a matter of fact, I do, now. While cleaning out the garage yesterday morning I found an old sketchbook and inside were several sketches of John and I travelling to Kingman so he could buy some bootmaking lasts (wooden forms to stretch the leather over) from a Kingman Cowboy named Allen Miller. Johnny told me he still has those lasts. We talked a bit about the new boots I’ve ordered (I measured my heel to arch wrong and he’s sending back the tape) and then, old times in Tucson, and of course, this led to the time we almost got beat up in Nogales. “What was that guy’s name who saved our lives?” I could just see him but couldn’t remember his name. Without hesitation, Johnny replied, “Glen Gilkerson,” who was a young, brash kid who worked for John in his boot shop. This was in March of 1980 and Kathy was eight-and-a-half months pregnant with Deena, and we drove down to Tucson to pick up my boots, and after beers we all decided to go to La Roca in Nogales, Sonora to celebrate. There were about ten of us and during dinner in La Roca (literally, “The Rock”, actually a semi-cave going back in the rocky hillside about 300 yards south of the American line) Glen Gilkerson kept trying to tell joke, but we could only understand about every third word. After a great dinner, more Mexican cerveza, and a few shows, we drove back to our motel on the American side and some of us ended up in the disco. It was too loud in there so Johnny, Glen and I retired to the lobby to sit on the couches there and talk. Some tough looking hombres were standing nearby and it soon became obvious they wanted a piece of me. They didn’t like my new boots and especially my attire, which happened to be Daisy Dukes and, well, the new boots (Hey, I didn’t want excess clothing taking attention away from my boots, and besides, this was the end of the seventies and I thought I fit right in, especially in a Mexican disco). A huge, hispanic dude didn’t agree and basically called me out (something about a “puto” or “hoto,” or both), but before I could defend myself, or run, Glen Gilkerson, who was drunk on his ass (and the drunker he became the harder he was to understand), said, and I quote, “You wanna see my face on your dashboard?” End of quote.
The Big Bad Guy looked at his compadres and back at us. “Say, what?” he said scrunching up his face. “We can’t understand him either,” Johnny said, and we all laughed, or rather, they snickered, and we guffawed, and, that my friends, was the night Mr. Gilkerson saved my life.
Here’s two photos taken of Johnny and I, on that day in March of 1980, showing off my brand new custom Weinkauf Boots. I retired them about six years ago, and they toured the country in a boot show curated by the Desert Caballeros Museum in Wickenburg.
PBS Reality Old West Show Premieres Next Week, I Think
“You have got to visit this site. Incredible.”
Night Rider’s Lament Song Writer Writes Me
“I wanted to let you know how much I enjoy your Web site, and how much it compliments my monthly magazine subscription to True West.
“One of the songs that I have written, Night Rider's Lament, has become a favorite western song, and has been recorded extensively by many artists including: Garth Brooks, Chris LeDoux, Nanci Griffith, Suzie Bogguss, Don Edwards, and others. Night Rider's Lament has become a cowboy classic over the years.
“I have just recently designed my own Web site, www.nightriderslament.com, for the many other western artists that would like to record it and need to know how to contact me for a Mechanical License, or that are interested in the origins of the song.
“I would be honored to have you visit my site and look in the links page to see that I have linked to True West. I noticed on your Web site that you also have a links page, and I would be very grateful if True West would include my site in your Web site links page.
Please let me know if this is acceptable with you.
Thank you in advance, Bob, and keep up the great work in giving us all True West !
—Michael Burton, Tucson, Arizona
You are linked, my Man!
“There is just such a very shallow truth in facts. Otherwise, the phone directory would be the Book of Books.”
—Werner Herzog, in New Yorker, April 24, 2006
Bob Boze 11:36 AM
April 26, 2006
Had a very productive day yesterday, but before we get into that, here’s important feedback from yesterday’s post:
(Brilliant) Insights From A Fellow Male
“For some reason gals always look at us as ‘fixer-uppers.’ In a perfect world they would ‘cherish’ us for what we are & use their ‘fixer-upper’ instincts on something useful... like a '49 Ford!”
With that said, and I totally agree, I must say, that damn article Kathy read out of Psychology Today really impacted me—in a positive way! Check out my Franklin Daytimer page for yesterday—every single item on the to do list is checked off! For me, this is nothing short of miraculous. Here’s the part of the article that really triggered the productivity:
“There are two basic ways of functioning in the world. There are action-oriented people, who move easily from task to task [not me], and there are the state-oriented souls, who have a lot of inertia—and are most likely to procrastinate [oh, yeh]. State oriented people rate tasks more negatively [yep]; they experience greater uncertainty [ADD anyone?], boredom, frustration and guilt [Lutheran style guilt to boot!] than do their action-oriented peers.
“What helps them. . .is to follow the ten-minute rule. Acknowledge, ‘I don’t feel like doing that,’ but do it for 10 minutes anyway. That gets you over the hard work of initiation. After being involved in the activity for 10 minutes, then decide whether to continue. Once you’re involved, it’s easier to stay with a task.”
The name of the piece is: “Getting Out From Under: How to Stop Procrastinating—Now!”
by Hara Esroff Marano
As you can clearly see on my daytimer, I wailed because I thought, “Hey I can do anything for 10 minutes,” and that broke down the barrier for me. By the way, the boxed As and Bs, are the ratings Franklin-Covey recommends for determining the level of importance of an item on the list. And they recommend an arrow pointing to the next day, on tasks you carry over (don't complete). This is the first day in memory, that there are no arrows, only checks.
Still, I have to agree with Lloyd, if only Kathy would apply this laser sharp acumen to the ‘49 Ford, the world would be such a better place!
More Circ Suggestions
"Been out of town and out of touch for a week but here's one I think would be a fitting setting for your mag. The Landmark Inn, Oberlin Kansas
"Gary Anderson has done a remarkable job of restoring it and making it modernly comfortable without loosing the old charm."
“Have you ever considered an article on a ‘day in the life of’? I know, on the surface, it's not captivating but you know better than anyone else the real west, and how it really was.
“Anyway, enjoy reading your stuff and thanks for taking something that fascinated all of us growing up and making it a life's work. I hope to meet you one day and have the chance to visit. You're an interesting guy. I read your biography and I could swear you sat behind me in second period English! (Just kidding).”
You are probably not going to believe this, but we talk about this almost every day! It's true. How can we portray the every day life of people in the Old West? Thanks. I will give this some more thought. I am thinking of a cover story on "Working Stiffs" and featuring the many professions, and how they did them, and how much they made, what did they wear? etc.
Another side benefit from cleaning and getting organized is finding cool, but forgotten, art reference. Case in point, I’m doing the Wham Payroll Robbery and in the story is a crazy local blacksmith from Pima, who calls himself “Cyclone Bill,” and I want to illustrate him as a kind of pompous, goofy guy who would probably pose in a grandiose way. So yesterday as I’m filing in my morgue I find some old photos taken for the Razz Revue humor magazine (1972-76) and there’s Dan Harshberger all dolled up as a bad guy. I assume this photo was taken for one of our Old West parody issues (we did two), probably about 1975. Anyway, the pose is perfect for Cyclone Bill and here’s the resulting illustration. This will run in the July issue.
Robert Ray just told me he thinks the photo of Dan looks like a member of Three Dog Night. Ha. It does!
Favorite Onion Headline de Jour
Activities Director Makes Most of Hostage Situation
Coming Tomorrow: "How'd you like to see your face on my dashboard?"
“What helps luck is a habit of watching for opportunities”
—Old Vaquero Saying
Bob Boze 11:05 AM
April 25, 2006
A week or so ago, I challenged blog readers to take a stab at an illustration for Leo Bank’s brilliant and hilarious take on The Tragic And Ridiculous Billy Buff War. Three of you took the challenge and here’s the winner. In addition to being a decent illustrator, Alan Archambault is also the director of the Fort Lewis Military Museum in Washington State. It is the largest U.S. Military Museum on the West Coast.
I was particularly impressed with Alan’s attention to historic detail (notice the anchor design on the shirt, buck teeth galore, Lightning revolvers, slouch hats and oversized sweaters). Good job Alan! You get $200 and the painting will appear in the July issue (the anniversary of the Kid’s departure from this planet). Check out Alan’s museum at:
Speaking of Billy the Kid, I got an Email from George in Tennessee who wonders if that was my artwork in a Billy doc he saw on cable last night and did they have my approval and do I agree with their claims? Here’s my reply to him:
I have contributed to so many Billy the Kid docs I'm not exactly sure which one you’re referring to, but yes, I most likely signed off on the usage, but that doesn't mean they did anything credible with the pictures or the subject matter. Ha.
Yes, you are correct, there is only one verified photograph of the Kid and it's the standing one with the Winchester. All the others are wanna bes and are suspect in many ways. Everyone wants their photo to be of Billy because, well, it's worth a fortune. The only known image is worth a reported $350,000, and it's believed the poor sap who took the photo got a quarter for it. If that doesn't sum up the fairness of life on this planet, I don't know what does.
End of reply
Random Advice From A Married Man
You know you’re in trouble when you wake up and your wife is reading aloud from Psychology Today. The article being read this morning, by my wife of 26 years, was on Procrastination, with a capital P, and to my ears her voice (and the article) was about as soothing as an alarm clock playing the dulcet sounds of a root canal. I did learn something from this incident though, and I’ll relay those multiple gems of wisdom tomorrow.
Silver City: What’s It Like to Live There?
Yesterday I talked on the phone with Laurie Pankey, Executive Director of the Silver City, Grant County Chamber of Commerce and she told me the average temperature in January is mid-40s and in July, it’s the mid-90s, so the average is about 65. Now that’s cool, no?
Laurie also told me The Big Ditch Restoration Project, Phase II, is just about completed, plus several old downtown buildings are being renovated even as we were speaking, like Isacc’s Bar & Grill and The Murray Hotel, a once very glamorous place. Curt Albertshart owns the hotel and is doing the remodel. One of the coolest signs in the berg is in front of the Buffalo (a biker bar now), but it has an oldtime cowboy bar feel. The locals call it simply, “The Buff.” I took a slew of photos of it when I went thru Silver City in April of 2004 with Bart Bull, but I can't put my hands on them.
The best chuckwagon show is The Copper Creek Ranch owned and operated by Floyd and Patsy Robertson, it’s out in Arena’s Valley, dinner show 20 Flurry Lane.
Best route into town, I’m told by my old Mineshaft friends, Lew Jones and Tara Laman, is to stay off I-10, and instead, go via Safford, taking infamous Highway 666 over the mountains and thru Mule Creek, and don’t forget to take a gander at Mangas, named for Apache warrior Mangas Colorados (Red Sleeves), then slip into Silver City the back way. Way cool.
And like so many small towns, Silver City has lost it’s local radio talent to satellite madness, but “The Ranch” is still kickin’ it with the hometown talent at KWNM 105.5 FM, and check out Kurt Staley in the mornings. Now that’s radio as it was meant to be! Check it all out at:
Buck Jones Fire Death Clarification
“Buck Jones died in the ‘Coconut Grove’ night club fire in Boston 1942. Nothing was built on that lot for many years, in memory of the 500 plus who died that night. Don't know if that's still the case."
More Bad Saddle Data
“Regarding the bad saddle Robert Duvall is sitting on, there could be several reasons for the mistake. A Canadian location means: Canadian prop people and wranglers. One or the other is responsible for procuring the saddles. A professional Hollywood prop person or wrangler would never let this happen. The director must also be held responsible for these types of mistakes. After all, it's the director's picture; remember - ‘A Film By’? And if the star - and I'm not saying DuVall did this - tells them all he wants to use a particular saddle, there's not much they can do about it. It's also my opinion, that today's audiences - with the exception of those like the writer of the original query - having never been exposed to Westerns like we old timers, won't know the difference anyway.”
P.S. For fun, I thought you might enjoy my Behind the Scenes web site. Or as my friends call it, Steve's Life in Pictures.
Hey Stephen, I love the photo of you with actress Gail Davis on the set of Annie Oakley in 1955. You lucky dog, you!
And Speaking of Westerns And the Folks Who Love Them
“I watch the Westerns channel every day and always went to the movies before we had a TV years ago to see Western movies, but I've learned more about the old West watching you on the True West Moments part of the show. Really enjoy it when you're on. Thanks Very Much.”
—Richard Perry, Palmer,MA
Favorite Onion Headline de Jour
Former Coworker Romanticized
“Pick battles big enough to matter, small enough to win.”
—Old Vaquero Saying
Bob Boze 10:03 AM
April 24, 2006
Yesterday afternoon Kathy went to Blockbuster and got “Capote” and “The Squid And The Whale.” I watched “Capote” on my laptop while I painted on Sue (see image below). It’s so amazing to me that I can slide this little disk into a laptop and watch a movie on a shelf? Incredible. That said, I’m even more convinced that Heath Ledger got reamed for the Oscar.
We tried to see “The Squid And The Whale” twice in the past three months and both times it was sold out. I can now see why. I really dug this movie. So smart, so honest, so amazingly profound. One of the best movies I’ve seen this year. Very New York, though.
Lo And Behold, Ask And Ye Shall Receive Department
“The Rifleman should start running on Encore Westerns at the end of 2006. We are also going to work with Johnny Crawford to get some inside stories about his days on that wonderful series.”
Wet Street & Dry Trails
“Another reason the dirt can be dusty in one movie scene, and wet in another, is: a lot of times, a water truck is used to dampen the ground to keep the dust from blowing. If it's a long shot, no one is really bothered by the dust. But in closer shots, billowing dust can obscure the actors' faces. And sometimes, by mistake, they over-water. That can leave mud puddles.”
—Stephen Lodge, Author-Screenwriter
I have a question for TW Moments on Encore TV. Could you answer this
on the bit you do?
Why is it in the Hollywood westerns, when someone is being chased or
something by men on horseback, they never just shoot the horse to stop
them? They always try for the men. Wouldn't it be easier to try for
the horse? It is a bigger target and would stop the chase right away.
I have always wondered about this. The horses hardly ever get hit. Is
this just Hollywood or was their a reason for it? Did horses get shot a
lot in the real old west?
This would make for a great TW Moment trivia question and I am sure you
have the answer for the viewing audience. I would appreciate it Bob.
—Bob of Olympia, Washington
Excellent question. The short answer is yes, horses were shot often and it was quite brutal. I'm doing the Wham Payroll Robbery for the next Classic Gunfights in True West magazine and in this robbery the robbers shot the lead mules of two wagons (3 total) and the other mules were injured trying to get away, pulling the wagon out across the desert, thru rocks, nasty stuff.
In my Çlassic Gunfights, Volume II book I relate the story of two guys ambushed at Steins Pass on the New Mexico, Arizona line, and the ambushers shot the horses out from under both riders. I have a hunch this was more common that movies would like us to believe.
One of the oldtime cattle guys allegedly called out in a gunbattle, "Shoot high, the horses are mine!"
This perhaps led to the old joke, "Shoot low, they're riding Shetlands."
Mas Circ Sites
Saludos, Bob! Hope all is aces, jake, and better than swell with you, amigo!
Even though I am about to be an Arizonan in four weeks, I thought I should
pop in and pitch a few Oklahoma possibilities to you for your Bonus Circulation Locations list. Such as:
• Cattlemen's Steakhouse, Oklahoma City, Oklahoma
• The Seely House Bed and Breakfast Inn. Guthrie, Oklahoma.
• Best Western Territorial Inn. Guthrie, Oklahoma.
• Gold Penny Inn. Guthrie, Oklahoma.
I've listed the URL to the Gold Penny's links page because Guthrie, OK has what I would consider several good candidates for your list and this links page runs them down nicely.
Also, there is the National Cowboy & Western Heritage Museum in Oklahoma City to consider. Of course, there is the possibility that your magazine is already on their Museum Store racks. But, in case not...
I hope you find some of the above helpful!
Chris, Maniac #946
The Wild is back in the West
“This past year a French Film Crew made a film about investigation #2003-274 ‘The Billy the Kid investigation’. The Film was selected for the Cannes Film Festival. The Film maker is taking [Tom] Sullivan and I to Cannes. Kris Kristofferson who played the kid is going to be there to meet us. We may have put the Kid on the front pages of the New York times but now we have taking our bandit buddy to Cannes. We should blend in France. Does it get any funnier?”
These Boots Were Made For Taking Off
“I was able to find you on the True West Magazine web site and also from the tag on the bottom. Bob. If you do feature any information about my question on the Encore Westerns Channel, I would love it if you would do the segment without wearing boots. It would remind me of the old western television series that used to be on television where the main cowboy characters were in situations where they may have had to give up their boots but were still able to deal with their adversaries, even though, the hero(s) were either socked-footed or in their barefeet. Besides, a good-looking cowboy without his boots is sexy.”
— Samantha Aldridge, Parsons, Kansas.
Favorite Onion Headline de Jour
Report: 9/11 Commission Could Have Been Prevented
“Freedom is what you do with what's been done to you.”
—Old Vaquero Saying
Bob Boze 11:46 AM
April 23, 2006 Bonus Blog
We've got a new poll up. How did you find True West's website?
True West Magazine
True West Moments Ad
Click right here.
"I was lost, but now I'm found."
Bob Boze 4:22 PM
April 23, 2006
I forgot that my title for the New Times piece mentioned yesterday was, "The Lighter Side of the Kennedy Assassination." Time and distance is the key on all human events eventually ending up as comedy. I think it ran on the 25 year anniversary (1988), and then later ran in The Dallas Observer, a sister pub to the Phoenix New Times. That made me pucker, as I'm sure the cartoons did in Dallas as well, but I'm still here. The Lighter Side of 9/11 is next, but I'd give it another decade, or two.
Speaking of rash youth desperate to be shocking, the Deck Show last night was quite a success. The Ice House is basically a gutted out cement, warehouse and the cathedral style room the decks were showcased in, didn't have a roof. It looked like the Dresden Chamber of Commerce about 1944, but then, that is pretty cool, when you think about it, as skaters are quite into black holes and the anger that makes them. They had a metal band and I'd say about 500 people (it lasted from three to midnite and we got there after Taco Villa, at about six). Ed Mell did a sweet little landsape, framed on top of his skateboard with the clever title, "Landskate." It had a price tag of $2,200 (a bargain!). My "Geronimo Does A Halfpipe Over Organpipe (pre-board) 1886" was priced at $500 but it had no red dot on it by the time Kathy and I left at about 7:30.
Art shows like these are always inspiring to me and I woke up this morning and bailed into a painting called, "Looking For A Good Man On The Western Frontier." It features Honkytonk Sue (great reference of Jackie King on her horse searching the horizon for available cowboys). The horizon is from two sketches I did last weekend at Rock Art Ranch, outside of Winslow, and the color scheme is from a 1946-ish postcard of desert burros ("Desert Sweethearts"). Verdict still out, but I'm hopeful.
"Drawing is the root of everything."
--Vincent Van Gogh
Bob Boze 12:30 PM